Album Review of Isa: Raw Sessions
Couvertier's New Folk Music CD of Christian Acoustic Worship
Why did Isa Couvertier name her second full-length acoustic worship album "Raw Sessions"? The new CD of Christian folk music is far more polished and sparkling than raw.
Many become ardent fans of Isa’s immediately after hearing her debut album, “In the Waiting,” a project similar to “Raw Sessions” in its reverent tone, but different in its energy level. Originally from Philadelphia, Isa has a way of heading right to the heart of things.
In the case of the 9 worship tracks on “Raw Sessions,” that means her songs lead right into the Throne Room. It’s a very stripped-down feel, the emphasis on acoustic, although when the electric moments hit, it’s a bulls-eye every time. More than anything else, “Raw Sessions,” released this past April, has an air of sincere awe to it, and a sparkling honesty as well.
The album opens softly, the mellow “Set My Spirit Free” a mellow acoustic expression of worship, the vocals airy and soft. “Beautiful,” a standout track, offers up a bit more energy and a wonderfully melodious chorus. Its electric guitar solo pierces through the so-soft tones with a lovely clarity, and is a welcome relief in all the tenderness.
As enjoyable as “Raw Sessions” is, one criticism would have to be the unabated soft approach; a little diversity in tempo and attitude might have added a layer of expression that increased interest. “Testify” is a mix of soft organic percussion and tight harmonies, a “Raw Sessions” signature note. The harmonies throughout are spotless and beautifully mixed.
The vocals of “All That You Dreamed Of” are hushed and reverent, as is the quiet “Delight.” The honest desperation of “Holy Spirit Come” is quite moving, a breath-taking prayer for the touch of God to restore and renew. It is both moving and melodic, its harmonies sparkling once again.
“Breathe” implores the listener to walk through the prison doors by faith, and “Familiar Song” is a heartfelt cry for Presence. The atmospheric album closer, “Safe Place,” is thick with sound, from the ethereal keys, to the echoing background vocals, to the splashy cymbals and Isa’s own BIG vocals, very nicely done.
She willingly exposes her deep need of the sanctuary of the Lord in this glowing, heartfelt closing track. It is Isa Couvertier’s concluding act of generosity on “Raw Sessions,” and typifies her spirit throughout the album’s nine gutsy tracks. This is an album is highly recommended for those who enjoy quiet acoustic folk, but do yourself a favor and get “In The Waiting” too; you’ll see she can do much more than soft when she wants to.
